T. Renner, "Portrait of Dave Brubeck," 2008, acrylic on paper, 10.5" x 13.5".
From DownBeat:
Dave Brubeck, pianist, composer and bandleader, died Wednesday morning, Dec. 5, 2012, at Norwalk Hospital, in Norwalk, Conn., one day before his 92nd birthday. Brubeck died on his way to “a regular treatment with his cardiologist,” said longtime manager-producer-conductor Russell Gloyd.
Brubeck’s career spanned more than 60 years, comprising nearly the entire existence of American jazz since World War II. He was revered for recordings with his legendary Dave Brubeck Quartet, including “Take Five” and “Blue Rondo à la Turk.” The album on which they appeared, Time Out, became one of the best-selling jazz recordings of all time. He was revered for his daring use of rhythm and unusual time signatures, both of which transcended previous conceptions of swing rhythm.
Brubeck was born on Dec. 6, 1920, in Concord, Calif. His mother was a classically trained pianist who introduced him to the instrument at a young age, and he was performing professionally by the age of 13. Brubeck enrolled as a zoology major at the College of the Pacific in Stockton, Calif., but became highly involved in the school’s music department. From 1942–1943, he led the school’s 12-piece big band.
Around the same time, Brubeck began to study classical composition at Mills College in Oakland, Calif., under French composer Darius Milhaud. Brubeck’s studies under Milhaud subsided during World War II, when in 1944 he enlisted in the U.S. Army. He led a service band in Europe, was discharged in 1946 and then resumed his musical training. Brubeck’s studies with Milhaud influenced his experimentation with odd time signatures and classically inspired counterpoint.
A pioneer who did not accept the idea of “pigeonholing,” Brubeck was an integral force in venturing outside of the accepted boundaries of jazz. He was a lifelong advocate of the genre’s racial integration, performing in African American clubs throughout the South in the 1950s.
He was also an important figure who brought jazz to the forefront of academia, and his groups became wildly popular at colleges throughout the 1950s and ’60s. In 1949, Brubeck and a group of fellow students at Mills College formed the Jazz Workshop Ensemble, which would later record as The Dave Brubeck Octet.
Brubeck’s octet often performed standards by other composers, but this was the pianist’s segue as a leader into 5/4, 9/8 and 11/4 time signatures, as opposed to traditional two and four counts. That same year, Brubeck formed his namesake trio alongside percussionist Cal Tjader and bassist Norman Bates. He was joined by alto saxophonist Paul Desmond in 1951, resulting in the creation of the legendary Dave Brubeck Quartet. With the newly formed quartet, Brubeck continued his advocacy of jazz on college campuses by recordingJazz At Oberlin in 1953. He also solidified his position as a public figure when he became the first modern jazz musician to appear on the cover of Time magazine on Nov. 8, 1954.
The “classic” Dave Brubeck Quartet would not form until the late 1950s, with the additions of drummer Joe Morello in 1956 and bassist Gene Wright in 1958 alongside Brubeck and Desmond. The quartet’s 1959 album Time Out was the first jazz LP in history to sell a million copies, and many of the tunes on the album have become standards. The album opens with the Mozart-inspired “Blue Rondo à la Turk,” which Brubeck composed in 9/8 time.
The album also features “Take Five,” a tune composed in 5/4 time, which made the Billboard singles chart in 1961 and remains one of the most recognizable jazz recordings of all time. The quartet performed together until 1967, when Brubeck, a self-proclaimed “composer who plays the piano,” left to focus more on composition and arrangement. Brubeck, Morello and Wright would later reunite in 1976 to perform and record in celebration of the 25th anniversary of the classic quartet’s initial formation.
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