Monday, January 31, 2011

Bombers (for Huck and Lemmy)

T. Renner, "Bombers (for Huck and Lemmy)," 2010, acrylic, ink on paper, 18" x 18"

Sunday, January 30, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Saturday, January 29, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Friday, January 28, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Thursday, January 27, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Wednesday, January 26, 2011

Portrait of a Girl #1


T. Renner, "Portrait of a Girl #1," 2011, oil-stick on paper, 10" x 8".

Portrait of a Girl #2

T. Renner, "Portrait of a Girl #2," 2011, oil-stick on paper, 10" x 8.5".

Tuesday, January 25, 2011

Portrait of a Girl #3

T. Renner, "Portrait of a Girl #3," 2011, acrylic on paper, 10" x 8.5".

Monday, January 24, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Sunday, January 23, 2011

Buffalo

T. Renner, "Buffalo," 2011, acrylic on paper, 6" x 4".

Saturday, January 22, 2011

Cross

T. Renner, "Cross," 2011, acrylic on paper, 4" x 6".

Friday, January 21, 2011

Something Concealed

T. Renner, "Something Concealed," 2011, acrylic on paper, 6" x 4".

Thursday, January 20, 2011

Something Revealed

T. Renner, "Something Revealed," 2011, acrylic on paper, 6" x 4".

Wednesday, January 19, 2011

Medusa

T. Renner, "Medusa," 2011, acrylic on paper, 6" x 4".

Tuesday, January 18, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Monday, January 17, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Sunday, January 16, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Saturday, January 15, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Friday, January 14, 2011

Portrait of a Girl #1


T. Renner, "Portrait of a Girl #1," 2011, oil-stick on paper, 10" x 8".

Thursday, January 13, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Wednesday, January 12, 2011

For Harry Partch

T. Renner, "For Harry Partch," 2011, acrylic on paper, 6" x 4".

From the Harry Partch Information Center:
Harry Partch (1901-1974), one of the greatest and most individualistic composers of all time, was not only a great composer, but an innovative theorist who broke through the shackles of many centuries of one tuning system for all of Western music, a music instrument inventor who created dozens of incredible instruments for the performance of his music, and a musical dramatist who created his own texts and dance/theatre extravaganzas based on everything from Greek mythology to his own experiences as a hobo. Between 1930 and 1972, he created one of the most amazing bodies of sensually alluring and emotionally powerful music of the 20th century: music dramas, dance theater, multi-media extravaganzas, vocal music and chamber music---mostly all performed on the instruments he built himself.

With parents who were former missionaries to China, living in isolated areas of the American southwest, Partch, as a child, was exposed to a variety of influences from Asian to Native American. After dropping out of the University of Southern California, he began to study on his own and to question the tuning and philosophical foundations of Western music. During and after the Great Depression, he was a hobo and itinerant worker and rode the trains, keeping a musical notebook of his experiences, which he later set to music.

In 1930 Partch broke with Western European tradition and forged a new music based on a more primal, corporeal integration of the elements of speech with music, using principles of natural acoustic resonance (just intonation) and expanded melodic and harmonic possibilities. He began to first adapt guitars and violas to play his music, and then began to build new instruments in a new microtonal tuning system. He built over 25 instruments, plus numerous small hand instruments, and became a brilliant spokesman for his ideas. Largely ignored by the standard musical institutions during his lifetime, he criticized concert traditions, the roles of the performer and composer, the role of music in society, the 12-tone equal-temperament scale and the concept of "pure" or abstract music. To explain his philosophical and intonational ideas, he wrote a treatise, Genesis of a Music, which has served as a primary source of information and inspiration to many musicians for the last half century.

Tuesday, January 11, 2011

Untitled

T. Renner, "Untitled," 2011, acrylic on paper, 6" x 4".

Monday, January 10, 2011

On Dream Detection (for Jedediah Berry)

T. Renner, "On Dream Detection (for Jedediah Berry)," 2011, acrylic on canvas panel, 9" x 12".

Jedediah Berry's novel The Manual of Detection chronicles the efforts of Charles Unwin, recently promoted from clerk to detective, to solve the mystery of the disappearance of detective Travis Sivart. Set in an undefined time and place of manual typewriters and never-ending rain, The Manual of Detection eludes easy description like trying to recount a dream.

Sunday, January 9, 2011

Untitled

T. Renner, "Untitled," 2010, acrylic on paper, 4" x 6".

Saturday, January 8, 2011

Untitled

T. Renner, "Untitled," 2010, acrylic on paper, 6" x 4"

Friday, January 7, 2011

Don Quixote


T. Renner, "Don Quixote," 2011, acrylic on paper, 6" x 4".

Thursday, January 6, 2011

Improvisation for Syd Barrett (Shine On You Crazy Diamond) #2


T. Renner, "Improvisation for Syd Barrett (Shine On You Crazy Diamond) #2," 2009, acrylic on paper, 17" x 11".

Today would have been Syd Barrett's 65th birthday. He died on July 7, 2006.

Landscape (After Madeleine Avirov)

T. Renner, "Landscape (After Madeleine Avirov)," 2011, acrylic on paper, 4" x 6".

Madeline Avirov has an essay, "A Primitive Mind," about her relationship with art and poetry in the January 2011 issue of Poetry, which includes her work "A Mind of Winter." The above is my attempt at something similar.

Wednesday, January 5, 2011

Improvisation for Mick Karn

T. Renner, "Improvisation for Mick Karn," 2011, acrylic on paper, 6" x 4".

From the New Musical Express:
Japan bassist Mick Karn has died aged 52.

Karn, who revealed in June 2010 that he had been diagnosed with advanced stage cancer, passed away at his Chelsea home today (January 4), according to a statement on Mickkarn.net.

The statement added that Karn "was surrounded by his family and friends" at the time of his death, and that he "will be deeply missed by all".

Born Andonis Michaelides in Nicosia, Cyprus, Karn played with Japan from their formation in 1974 until their split in 1982, and again in 1991 during a brief reunion under the new name Rain Tree Crow. He also worked with Gary Numan, Kate Bush and Bauhaus founder member Peter Murphy, with whom he formed Dali's Car in 1984.

Tuesday, January 4, 2011

Untitled

T. Renner, "Untitled," 2010, acrylic on paper, 6" x 4".

Monday, January 3, 2011

Untitled


T. Renner, "Untitled," 2010, acrylic on paper, 4" x 6".

Sunday, January 2, 2011

Improvisation for Tom Waits #2

T. Renner, "Improvisation for Tom Waits #2," 2010, acrylic on paper, 6" x 4".

Saturday, January 1, 2011

Improvisation for Tom Waits

T. Renner, "Improvisation for Tom Waits," 2010, acrylic on paper, 6" x 4".