Wednesday, September 30, 2009

Not Even #3 and Not Even #4 on the Auction Block


T. Renner, "Not Even #4," 2008, acrylic on cardboard, 12" x 12".

I've donated two paintings, "Not Even #3" and "Not Even #4," to an auction to be held on Saturday, October 10, to benefit NARAL Pro-Choice Missouri.
Fabulous at 40!: NARAL's 40th Birthday!

What: Come help NARAL Pro-Choice Missouri celebrate our 40th birthday! Come and enjoy dinner, entertainment, a silent auction, and a live auction with Ray Hartmann. Please RSVP at the contact phone number or email to purchase your ticket prior to the event at $100 per ticket, or at the door for $120. A portion of your ticket is tax-deductible Come out to help us celebrate!

Date: Saturday, October 10th

Time: Doors open at 6:00 p.m., ends around 10:00 p.m.

Location
: Crowne Plaza Hotel 7750 Carondelet Clayton, MO 63105

Cost: Tickets are $100 prior to the event and $120 at the door.

Contact: (314) 531-8616 or jeff.farris @ monaral.org



T. Renner, "Not Even #3," 2008, acrylic on cardboard, 12" x 12".

Tuesday, September 29, 2009

Arts and Activism Panel Discussion

CHICAGO CALLING ARTS FESTIVAL EVENT:

"THE ARTS AND ACTIVISM IN ST. LOUIS, DETROIT, AND CHICAGO" PANEL DISCUSSION


Thursday, October 1, 2009 (7:00-9:00 p.m.)

You are invited to attend this "Arts and Activism in St. Louis, Detroit, and Chicago" panel discussion, which is part of the "Arts and Activism in the Midwest" Series. This panel discussion focuses on the arts scenes in these three Midwestern cities, and it is also part of the Fourth Annual Chicago Calling Arts Festival.

The panelists include James McAnally, Amanda Mueller, Andrew James, and Tony Renner in St. Louis; Rebecca Mazzei, Emily Linn, and Joel Peterson in Detroit; and Lindsay Obermeyer, Carol Ng-He, Theaster Gates, Jennifer Karmin, and Dan Godston in Chicago. The panelists will be connected over the internet, via skype, so the panelists and other participants will be able to see and hear each other.

Free and open to the public

Little Black Pearl Art & Design Center
(7-9 p.m. Central Standard Time)
1060 E. 47th St.
Chicago, IL 60653-3600
773.285.1633

The Luminary Center for the Arts
(7-9 p.m. Central Standard Time)
4900 Reber Place
Saint Louis, MO 63139
314.807.5984

Contemporary Art Institute of Detroit
(8-10 p.m. Eastern Standard Time)
5141 Rosa Parks Blvd.
Detroit MI 48208

"Arts and Activism in the Midwest" is an ongoing forum which happens four times in 2009 and 2010. Each event involves Chicago and two other Midwestern cities. The purposes of the "Arts & Activism in the Midwest" series include: discussion about strengths and challenges regarding independently run arts, education, and activism efforts throughout the Midwest region -- in relation to the cities, towns, and rural areas in which they exist ideas about opening up more communication & setting up possible collaborations between organizations and individual artists living in different Midwestern cities discussion regarding cultural dynamics in Midwestern cities (relations with legislators, community involvement, funding opportunities, etc.).

BIOS:

Theaster Gates

Dan Godston teaches and lives in Chicago. His writings have appeared in Chase Park, After Hours, Versal, Drunken Boat, 580 Split, Kyoto Journal, Eratica, The Smoking Poet, Horse Less Review, Apparatus Magazine, and other print publications and online journals. His poem “Mask to Skin to Blood to Heart to Bone and Back” was nominated by the editors of 580 Split for the Pushcart Prize. He also composes and performs music, and he works with the Borderbend Arts Collective to organize the annual Chicago Calling Arts Festival.

Andrew James is an artist originally born in Knoxville, TN. He completed his MFA at The University of California in Berkeley in 2003, relocated to St. Louis in 2004, and in 2005 bought an 100 + year old building that he has been renovating ever since. In 2008, the first floor of 2247 Gravois was renovated into Good Citizen Gallery, which opened its doors in November of that year. The Gallery, under the direction of James along with a considerable amount of aid from Amanda Gray-Swain, is dedicated to showcasing contemporary artists working in a variety of styles and mediums. The gallery is committed to presenting work in both traditional and non-traditional formats, which tackle a variety of concepts and perspectives. Since opening, many of their shows have received glowing reviews from both the Riverfront Times and the St. Louis Beacon, and St. Louis Magazine put Good Citizen on their A-List for Best New Gallery.

Jennifer Karmin is a poet, artist, and educator who has published, performed, exhibited, taught, and experimented with language throughout the U.S. and Japan. She teaches creative writing, literature, and media literacy to immigrants in Truman College's Adult Education Program. The recipient of a Gwendolyn Brooks Teaching Award, she also works as a Poet-in-Residence for the Chicago Public Schools. In 2009, Flim Forum Press will publish her text-sound epic Aaaaaaaaaaalice. Jennifer curates the Red Rover reading series and is a founding member of the public art group Anti Gravity Surprise. Her multidisciplinary projects have been presented nationally at festivals, artist-run spaces, community centers, and on city streets. Past grants and residencies include funding from the Chicago Department of Cultural Affairs, the Djerassi Program, the Joseph Kellman Family Foundation, the Poetry Center of Chicago, Poets & Writers, Rochester Community Savings Bank, and the Synapses Foundation. She earned her B.A. in the Poetics Program at the University of Buffalo and M.F.A. in the Writing Program at the School of the Art Institute of Chicago. Web links to her writing, publications, and projects are listed below.

James McAnally, Director of The Luminary | Center for the Arts, is a writer, artist and musician educated at Washington University in St. Louis. Since founding The Luminary in 2007, he has worked to establish an international residency program, an award-winning concert series, and a challenging exhibition schedule that promotes interactivity and offers emerging artists the opportunity to thrive. With this multi-disciplinary emphasis, he has sought to bring together different expressions of contemporary art into a public dialogue with a new generation of art appreciators.

Amanda Mueller is a local artist and arts education professional. While employed full-time by one of St. Louis’s central arts institutions, Amanda still manages/tries to find time on the side to get involved with other projects, artists, and organizations in St. Louis and beyond. Examples of Amanda’s unofficial ‘work’ on the side include her own (very) sporadic art shows and projects, getting involved with children’s art activities and shows hosted by a smattering of local venues, and Uncle Envelope, a monthly children’s mail art project based in NY, but distributed to subscribers throughout the US.

Born and raised in Hong Kong, Carol Ng-He is a Chicago-based artist and art educator. She received a Master’s degree of Arts in Art Education from the School of the Art Institute of Chicago, and a Bachelor’s degree in Arts from Columbia College Chicago. She performed and exhibited locally at Mess Hall, Links Hall, the Duncan YMCA Chernin Center for the Arts in Chicago, Jane Addams Hull-House Museum, Koehnline Museum of Art at Oakton Community College. Currently Carol teaches at Columbia College Chicago, Roosevelt University and Oakton Community College. She also freelances as a teaching artist at Silk Road Theater Project, and Young Asians With Power! (YAWP!), and Chicago Teen Museum.

Lindsay Obermeyer has exhibited her art at venues in the UK, Canada, Italy, Australia, Denmark and Colombia as well as throughout the United States at galleries and museums including the Museum of Art and Design, the Museum of Fine Arts, Boston and the Milwaukee Museum of Art. Her work has been featured in Newsweek, Fiberarts, The Los Angeles Times, and other publications. She is a project designer for Lark Books and the visual arts researcher for Chicago Artists Resource.

Tony Renner is a visual artist who has lived in St. Louis since 1981. Renner has taken photographs for years but his interest blossomed after purchasing a digital camera in 2005. Renner started painting in 2007 shortly after writing his Master's (in American Culture Studies) thesis. "Painting was as far from writing as I could get," Renner says. Renner has exhibited work at various locations throughout St. Louis and he received an award of excellence from Art St. Louis jurors in 2007. Renner began playing electric guitar in public performance in the mid-1990s, and he has continuing playing solo gigs and in groups such as Tiger Mountain, Ne Plus Ultra, Cenozoic, and, currently, Learn, Artist! St. Louis print-maker Tom Huck has called Renner "a man of mystery."

Monday, September 28, 2009

Crosses at Crave


T. Renner, "Cross #7," 2009, oil on paper, 8" x 10".

Just a reminder that I have a show of seven paintings, including the above and the below, currently on display at Crave Coffee House until October 31. Crave is located near the Saint Louis University Nursing School at the corner of Caroline and Theresa.

Note: "Cross #7," was previously named "Cross #14."


T. Renner, "Cross #1," 2007, acrylic on canvas, 8" x 10".

Friday, September 25, 2009

Composition for Gene Autry


T. Renner, "Composition for Gene Autry," 2009, acrylic on paper, 17" x 17".

Thursday, September 24, 2009

Portrait of Erik Satie


SOLD! T. Renner, "Portrait of Erik Satie," 2009, acrylic on paper, 17" x 17" SOLD!

Wednesday, September 23, 2009

Improvisation for John Coltrane #1


T. Renner, "Improvisation for John Coltrane #1," 2009, acrylic on paper, 7" x 5".

Saturday, September 19, 2009

Chance Redux









T. Renner, "Self-Portrait: Ink Blot #'s 1-7", 2008, acrylic on paper, 5" x 7".

The above paintings were on display at Subterranean Books during February and March of this year as part of an show called "Works on Paper (Chance)." I'm re-posting them because I couldn't help but think how well they would have fit in with the current "Chance Aesthetics" exhibition at the Mildred Lane Kemper Art Museum at Washington University.


Installation view photograph by John Montre.

Requiem for Jim Carroll #2


T. Renner, "Requiem for Jim Carroll #2," acrylic on paper, 7" x 5", 2009.

Friday, September 18, 2009

Requiem for Jim Carroll #1


T. Renner, "Requiem for Jim Carroll #1," acrylic on paper, 7" x 5", 2009.

Thursday, September 17, 2009

Study After Francis Bacon #3


T. Renner, "Study After Francis Bacon #3," acrylic on paper, "7 x 5", 2009.

Wednesday, September 16, 2009

Study After Francis Bacon #2


T. Renner, "Study After Francis Bacon #2," acrylic on paper, 2009.

Tuesday, September 15, 2009

Study After Francis Bacon #1


T. Renner, "Study After Francis Bacon #1," acrylic on paper, 2009.

Tuesday, September 8, 2009

Sculpture (Kansas City #3)


T. Renner, "Sculpture (Kansas City #3)," 2008, digital photograph.

Looking through my photo folders this morning, I came across this shot at a sculpture I made while visiting the Kansas City Art Institute last March.

Below is another sculpture I made on the same trip:


T. Renner, "Sculpture (Kansas City #1)," 2008, digital photograph.

This is a photograph of a small sculpture I made on a trip to Kansas City, Missouri, last March. I visited the campus of the Art Institute of Kansas City, which was oddly deserted because, I guess, it was spring break. Anyway, I left a couple of sculptures on site. I wonder what was made of them?

And another:


T. Renner, "Sculpture (Kansas City #2)," 2008, digital photograph.

Here's another photo of a sculpture I made while visiting the Kansas City Art Institute last March. I love the shadows, and I wish I'd kept the sculpture instead of leaving it on the KCAI grounds.

Wouldn't it be fun to make this thing in feet rather than inches!

Catharine Magel, an internationally known artist working in ceramics, mosaic, and painting, commented (via Facebook) on "Sculpture (Kansas City #1)":
"Great sculpture from your visit to KCAI. I loved it there!!!! The sculpture fits the aesthetics or one of the aesthetics valued there."

Thursday, September 3, 2009

Crosses at Crave


T. Renner, "Cross #1," 2007, acrylic on canvas, 8" x 10".

I have an exhibition of several paintings now hanging at Crave Coffeehouse, located on Saint Louis University's Medical Campus all through September and October.